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Ale di Cantare R&B is a professional singer with extensive experience, both as a performer and as a recording artist.
His journey into the world of music begins very early, and even at a young age, he shows musical talent.
One factor that enhanced Ale's musical experience was the opportunity to develop this gift alongside his twin, with whom he could share the same musical and vocal abilities and a visceral passion for music.
He decided to approach the study of classical music and the piano, a journey he describes as one of love-hate: "Boundless love" for the instrument and music, aversion to the study of music theory, which Ale managed to bypass thanks to an excellent ear.
Ale's vocality already displayed adult and refined traits at a young age, with great range and agility, all factors that allowed her to sing the most diverse musical genres, from alternative rock to folk, from pop to jazz, and especially the genre that represents her the most: R&B.
Ale has often worked as a Recording Artist and songwriter in the field of House Music, also singing in various foreign languages. She has performed far and wide in Italian venues, participating in significant national events and in the most well-known Jazz-Fusion clubs in Madrid, where she lived for a long time.
In 2016, Ale decided to open a YouTube channel, which is currently the most followed vocal channel in Italy: SINGING R&B. What Ale could never have imagined is the multitude of people who testify to having found support in his videos, nor that one day he would gather an extensive and loyal community of singers and voice lovers in general.
The production of web content aimed at learning has allowed her to learn the art of communication and online teaching. Her lessons always start from the practical and empirical side, they are often interactive, placing the singer at the center and encouraging them to listen to their own body and sounds as a starting point, regardless of vocal level.
The learning paths that Ale often proposes are the opposite of classical singing pedagogy because they start from the singer's more personal sphere to reach the technical aspects, which are always necessary for voice education, but which can often give the singer the impression of coldness and consequent rigidity.
The voice, according to Ale, should instead be considered as the most expressive means that human beings are instinctively endowed with from birth and should be explored and loved to improve its qualities and not the other way around: “I do not recommend learning every existing vocal technique because you might like your voice more; instead, I recommend exploring your voice, getting to know it and loving it, giving it a hand and taking it where you want.”