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257+
Total course minutes
13
4k video lessons and HD audio
70+
Audio files for practice
MAX D'AMBRA
With a classical and jazz musical background, at the age of 16, Max D'Ambra is already a professional musician, and thus begins to experiment with the world of music production, realizing how new technologies can be an additional tool for future expression for artists.
In 1990, he produced his first album with his Progressive Rock Band "Wirus". In the following years, he collaborated with numerous radio and television stations for which he created advertising jingles, some of which are still broadcast today.
In 1996, his versatility leads him to explore different genres, bringing him closer to Latin music. He thus joins the South American band "Tawa", a group made up solely of Argentine musicians, where he becomes not only a musician but also the producer of their album (Tawa - Disco Loco - RTI, 1996).
His continuous experimentation for the sound of the future leads him in the early 2000s to become a demonstrator/endorser for Italy of global brands such as Roland and Native Instrument, which needed to make the new generations aware of the potential of their new instruments.
In the years, he begins to dedicate himself with increasing passion to production and arrangements and gets involved in numerous musical projects, always of high value and professionalism, such as the production and musical direction for the Flemish version of "Jesus Christ Superstar".
He composes soundtracks for numerous Italian theater shows, to the point of being wanted in some of the most important talent shows on our TV. In fact, he is a coach on "The Voice" in Guè's team, with whom he had already collected gold and platinum records, and a coach and producer on "X Factor" for Sfera Ebbasta's team, with whom he subsequently achieves his fifth platinum record.
To date, he is a producer and arranger for artists such as: Guè, Sfera Ebbasta, Geolier, Gigi D'Alessio, Elettra Lamborghini, and for some of the most representative figures of the Neapolitan scene such as Eugenio and Edoardo Bennato, Enzo Avitabile, and Clementino.
In total, so far, he has managed as a producer and composer to collect 6 gold records and 11 platinum records.
THE MASTER DIRECTLY TO YOUR HOME
"It will be like having the teacher in front of you. The course is structured to offer you months of face-to-face lessons, thanks to a hyper-detailed and progressive program."
THE COURSE IN DETAIL
Max introduces the course and discusses the role of the producer, the importance of a broad musical background, and collaboration with artists and authors.
"Let's examine the structure of a pop song, analyzing its parts such as intro, verses, pre-choruses, choruses, and bridge."
The importance of the role of producers in music: Max cites some famous examples and emphasizes their ability to adapt to the various artists and styles they have worked with.
Max illustrates how to modify and enrich sounds, emphasizing the importance of selecting and processing sound elements in the arrangement.
Max emphasizes the importance of understanding and respecting the style and intentions of the artist, working in symbiosis to realize their musical vision.
Max discusses the importance of time management and organization in the production process, meeting deadlines.
"Let's delve into the arrangement of the pieces, showing how the addition of certain elements, such as the acoustic guitar, can enrich the composition."
A super-effective approach to sweep picking, one of the fundamental techniques of shred guitar.
How to introduce distinctive elements, such as vocal chops, to make a track immediately recognizable and further enrich it with effects like delay.
Max discusses the importance of understanding and analyzing the structures of musical pieces typical of various genres, the foundation for making production and arrangement decisions.
A detailed analysis of a finished production, exploring the key elements and techniques used to create the piece.
Max illustrates the importance of the finishing phase, using effects to add magic to the piece. Furthermore, he emphasizes the central role of the voice in the arrangement, showing how duplication and harmonization can significantly enrich the vocal track.
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